![]() ![]() I love its drag and drop effectiveness, it just adds to the whole live music production point. ‘Live’ is one of the best things happening to any music scene, anywhere. ![]() Live means you get to do things as they happen, including adding effects, changing track beats, no matter how revolutionary your style is. I really don’t think Sound Forge is worth the money. Sound Forge Pro is also quite costly at $319, so if you’re looking for getting simple studio done, stick to the freeware. Version 10 doesn’t provide much new features from 9. It’s pretty hard to get this done from it. Sound Forge does not provide a good enough display for amplitude scaling. It helps extend the length of audio tracks effectively without changing pitch, allowing control over the pitch and time independently. Timestretch is included in most versions of Sound Forge. It provides most of the standard editing features like dynamics, chorus, delay/echo, distortion, pitch, reverb, vibrato and wave hammer, within the 40 effects provided. Version 10 provides very easy means to playing with ACID loops. ![]() Sound Forge remains efficient in noise reduction methods, edge removal and fading. Drag and drop features along with precise controls for all audio effects (it boasts of about 40 studio effects) give a good deal of freedom over the simple and comfortable layout of the software display. Tracks are edited using a simple ‘cut-copy-paste’ windows-styled interface. ![]() This means, all the softest tones that can be missed out on elsewhere are easily caught by Sound Forge. Its output files are fully loaded at 24/32/64-bit 192 kHz for the best sound quality. Its simplicity and resourcefulness give you the speed and precision you need to just drive through any audio track editing. The main things this product from Sony Creative Software aims for are speed and total control. ![]()
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